He enjoyed woodcarving and allowed young Jean to decorate his carvings. He was a Norwegian immigrant who supported his family by farming tobacco. Jean Giese credited her father with encouraging her early interest in painting. Today the swirling floral patterns and abstract designs, whether painted or carved, are clear markers of Norwegian American identity. It took a few generations for interest in those roots to return, but when it did, rosemaling and acanthus carving, which decorated so many family heirlooms, became the focus of study and revival. Like so many immigrants before them, the Norwegians who arrived in the mid-nineteenth century left behind most of their traditional art practices. By focusing on the rich interplay between climate, geography, and economy-and the state’s rich ethnic diversity-the Festival brought to life a variety of Wisconsin’s regional traditions. The 1998 Wisconsin program took place during the state’s sesquicentennial, its 150th anniversary of statehood. Fourth- and fifth-generation Americans in Wisconsin are still quite cognizant of their ethnic origins, as pure or as varied as they may be.” “Whether expressed through church, tavern, or home, the role of ethnic identity remains prominent in Wisconsin. Once finished, the effigies were laid out on the ground, securely assembled, and raised by ropes to their upright positions. These forms were then covered with papier-mâché, brightly painted, and embellished with oversized jewels. Visitors watched them carefully split and tie together the bamboo sticks that formed the structure of the flamboyant characters. There, Jamil Ahmed, Bal Mukand, Gopal Singh, and others from Uttar Pradesh worked to create the towering effigies of Rāvana and his allies, son Meghanada and brother Kumbhakarna. An outdoor “Learning Center” housed a performing space and workshop area devoted to ritual activities. At the composite melā in Washington, D.C., visitors were immersed in the sights, sounds, smells, and rituals of regional India. At the 1985 Festival, the drama unfolded in the center of Mela! An Indian Fair.Ī melā is a combination bazaar, street fair, and cultural festival that people travel far and wide to attend. The story of the victory of Lord Rāma-who rescues his kidnapped wife Sita from the ten-headed demon king Rāvana-is reenacted each year throughout India during the ten-day Hindu celebration of Dassehra. ![]() Now she’s been working with Artesanías de Colombia for many years, and her sculptures are consistently shown at folk art exhibitions and craft expositions. Eventually another buyer came and saw the beauty and artistry in her work. Undeterred, Rosa continued to fill her home with her hand-formed figures. The first time an artisan buyer from Bogotá came to view her work, she told Rosa that her virgins were jarrapastrosas-crude and grotesque. The artistic value of her work and the Andean characteristics of her virgins are now well known throughout the traditional arts world in Colombia. Over time, after much trial and error, she developed her own style and technique for fashioning virgins, churches, and other figures inspired by the faces and clothing of the people she encounters in her daily life. As Rosa got older she was inspired by the sculptures of saints she saw in the churches. Her mother was a potter, but it was expensive to get her pieces fired, so the family turned to cattle farming and basket making for a living. Rosa comes from this lineage of artisans. The main market square in Ráquira is lined with pots, plates, and vessels in the clay’s rich orange hue. Rosa Jeréz is from Ráquira, Colombia, a town in the Andean Highlands known for its exceptional clay and, consequently, its ceramicists. ![]() Using pebbles from the Mall to add texture to a sculpture 2016 Freedom Sounds: A Community Celebration.2014 China: Tradition and the Art of Living.2013 One World, Many Voices: Endangered Languages and Cultural Heritage.2012 Creativity and Crisis: Unfolding the AIDS Memorial Quilt.2011 Rhythm and Blues: Tell It Like It Is.2008 Bhutan: Land of the Thunder Dragon.2007 Northern Ireland at the Smithsonian.2005 Forest Service, Culture, and Community.2002: The Silk Road: Connecting Cultures, Creating Trust.2000 Tibetan Culture Beyond the Land of Snows.1994 Masters of Traditional Arts: National Endowment for the Arts National Heritage Fellows.1988 Ingenuity and Tradition: The Common Wealth of Massachusetts.1987 Cultural Conservation and Languages: America’s Many Voices.
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